#i just find it really funny there's so many still there

[book-lore]

No shade to the OP on this one because I do know some people who will do this and what I am going to bring up here might be specific to me, but I would still encourage people to be enthusiastic about their horror interests anyway.

I work in a library and thus I have access to EVERY. SINGLE. WEIRD AND MORBID BOOK you've heard of and so very many that you haven't. My reading list is a joke among my colleagues because while some of them are reading the newest Sally Rooney or Jennifer Colgan, I am regaling them (gently, but I'll get to that in a minute) of my favorite books that have featured some truly awful things. And yes, I've told patrons about this too, some to confusion and others who find it very useful. I get that this context is different from someone who might meet at a random social gathering, but if someone is going to meet you with suspicion about what you are reading, and they aren't going to hear you out about what makes it great, they probably won't be a lot of fun to talk to in the long run anyway. My coworkers think it's funny that I read such heavy, depressing topics because I am really friendly and upbeat at work. They also like that if they are looking for something a bit spooky but not going to plunge them into a story that they can't finish, they know I have them covered because of that whole gently telling them thing. I take into account their comfort level and when they ask me about my favorite topics, they know they can trust me not to send them into the deep end.

And maybe some random person has read all this and thought "that's fine in a library but that doesn't work in meeting people in other spaces", actually it does. One of my closest and longest enduring friendships began with someone who insisted they did not like horror stories or movies. They were not interested in the scary stuff, according to them. Over time, they realized that I wasn't going to make their life miserable by making them watch stuff beyond their comfort level and they developed their own taste in the genre, a lot of it from the media they already liked. They just thought those things didn't count. This wasn't always the case for people who I talked to, but the ones that mattered, especially with one of my best friends, it turned out that they weren't so quick to judge.

So talk about your obsessions. Talk about the things that excite you and make you happy. Maybe it won't be for everyone but it's not supposed to be and some people around you are still going to find it fun to listen.

being someone who's passionate about their interests when you're a horror fan really is a special layer of hell because every interaction you have with another person where the conversation turns to your hobbies and personal entertainments is a trial where if you show too much unrepentant glee at getting an opportunity to talk about your preferred subject you get to watch them mentally move you onto their list of untrustworthy individuals to avoid in the future in real time

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[askgravityfallsed]

THE YEAR IS 2019… WELCOME TO GRAVITY FALLS: ETERNAL DEVOTION AU Return To The Falls RP Edition

Related accounts set in 2012: @formerquestionmarkmp, @dippers-guide-to-the-strange, @pocketsfullofglitter, @queenplatinumpaz2012.

CHARACTER INFORMATION:

Mason “Dipper” Marth Pines:

Age: 19 years old

Pronouns: He/They

Identity: Bisexual, Non-Binary

Fiancé: Paz Southeast

Online College Student

Stoner

Well known ghost hunter in the area

Mabel David Pines:

Age: 19 years old

Pronouns: She/It/Pink/Meow/Oink

Identity: Cis, Aroace

Shroom addict (Don’t tell mom!)

Sells knitted sweaters and scarves, as well as Kandy bracelets, on Etsy

Pastel Goth/Scene mixture… I don't know either man.

Stanley Caryn McGucket-Pines:

Age: 67 years old

Pronouns: He/Him

Identity: Cis Bisexual

Husband: Fiddleford McGucket-Pines

Usually out sailing with Ford and Fidds

Kept his mullet in honor of his nieces old nickname

Owns five “#1 Dad” Mugs. Four from Soos, one from his niece.

Stanford Filbrick Pines:

Age: 67 years old

Pronouns: He/It (Only uses it due to Bills effect on him)

Identity: Cis Gay

Space Divorced TM both Fidds and Bill on separate occasions

Formerly brainwashed by Bill- barely resisting getting back together with him

Can not handle The Lust TM

Paz Elliot Southeast:

Age: 19 years old

Pronouns: He/Him

Identity: Bisexual Transgender

Fiancé: Mason Pines

Only recently found out he was trans- binds and cut his hair, but that’s about it

Steals Dippers clothes a lot. They’re his now actually.

Will never, ever admit to being the bottom relationship even if they’ve been together six years and it’s obvious as fuck.

Working for Greasys Diner

Jesus “Soos” Ramírez:

Age: 29 years old

Pronouns: He/Him

Identity: Cishet

Wife: Melody Ramírez

Stan is his dad figure, duh

Melody and him have a son named Diego

Cried like a baby the first time the twins referred to him as their uncle

Wendy Blerble Corduroy:

Age: 21 years old

Pronouns: She/He

Identity: Cis Bisexual Lesbian

Dippers weed dealer. Why are you shocked

Barely looks any different than she looked at age fifteen… except she ties her shirt into a crop top to show off her stomach tattoo of an axe.

Hottest lesbo on the block, according to nobody but her friend group

Robert “Robbie” Stacy Valentino:

Age: 22 years old

Age During Death: 15 years old

Pronouns: He/Him

Identity: Cis, Bi-curious (will not admit this)

Somehow befriended Paz. Neither know how nor want to admit it, but they have movie nights where they do each others nails and makeup and cry to metal music.

Zombie. Walking corpse even. Yep, we’re leaning into THAT old theory.

Still beefing with Dipper for literally no reason. Even Dipped doesn’t hate him at this point he just likes annoying him. They’re like brothers honestly.

Gideon Charles Gleeful:

Age: 17 years old

Pronouns: He/Him

Identity: Cishet

Ex-Ciphertology chil cultist

Despite this he still cries over the fact that Bill finds him annoying

He can’t really find anything to do with himself anymore since weirdmaggedon and highschool so hes really fucking bitter.

Fiddleford Hadron McGucket-Pines:

Age: 69 years old (haha funny number)

Pronouns: He/Him

Identity: Cis Gay

Husband: Stanley McGucket Pines

Him and Emma May were actually beards- still occasionally in contact.

Was forced into a polyamorous marriage with Bill and Ford- eventually divorced them for MANY reasons

Seriously this guys got some BAD C-PTSD to be honest

Martha Winona Pines:

Age: 38 years old

Pronouns: She/Her

Identity: Cis Aromantic Bisexual

Ex-Husband: David Patterson

Has even WORSE C-PTSD from being Bills former puppet for like seven ish years

Literally so fucking grumpy about his return but NOBODY will let her murder him so she’s decided on verbal assault

Loves her kids soooooo so much

Calls Stan “Uncle Mullet”

William “Bill” Lu Cipher:

Age: ??????????????????? centuries old.

Pronouns: He/They/It- anything masculine or gender neutral

Identity: What a boring concept

Former triangle, now human for redemption- can only reincarnate if fully reformed, though he will never fully be forgiven for what he’s done, so he’s stuck this way til this body dies.

Can’t use his powers anymore- not even floating, which he hates a LOT

Misses Ford soooooo much…. Fucking loser.

BOUNDARIES:

13+ interactions only

Currently Gideon is still a minor, and I’m only a teenager, so please keep the NSFW to a minimum. Suggestive is fine, though.

DNI inc3st/p3do proshippers, p3do/m4p, transph0bic, hom0phobic, or r4cist people. You are not welcome here.

Please be respectful to me, the mod. You can be mean to characters, not to me. I do not appreciate hostility

Here and Here are the Casting Call links for the Eternal Devotion podcasts, please consider helping out with voice acting or even writing!

[indierpgnewsletter]

Murder on Arcturus Station

In 1983, Games Designers’ Workshop released an adventure module for Traveller called Murder on Arcturus Station. It’s a straight-up sci-fi murder mystery – an early landmark in Traveller‘s goal of taking play out of the dungeon and zooming off in every direction possible.

There’s lots to like about this little adventure. The dead body is a sleazy capitalist, who in the premise of the adventure has just screwed the players’ characters out of payment for their last job. There’s also labour strife brewing because the aforementioned bossman is screwing everybody on this little mining station. There’s almost a dozen suspects, each of them having some kind of grief with him. It’s the slick neo-noir vibe of Picket Line Tango but done with all the lack-of-flair of 40 years ago.But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

I love this because there’s a lot of discussion these days about games that use Brindlewood Bay‘s mystery system. And while this isn’t the same thing by any means, it’s still mucking around in the same sandbox. Essentially, you could say that games like Brindlewood Bay or Apocalypse Keys are just respecting that time-honoured tradition of storygames and redistributing the role of the GM.

When I read Arcturus Station, I have this lovely premise dripping with potential and I don’t want to puncture it. If I was running this in 2016, I would’ve just used smoke and mirrors – pretended that I knew which suspect did it but really I would just see what my players thought and then use that to decide. (Someone on Bluesky called it “planning behind” rather than “planning ahead” and I find that phrase very funny.) All these new games do as far as I’m concerned is let me be honest about my smoke and mirrors.

But the creativity of Arcturus Station doesn’t stop there, it offers two more ideas, half-baked in that classic old school way but still very endearing: what if the one of the player’s characters did it (makes sense, they have a motive, they just got screwed) and what if instead of playing adventurers, the players took on the role of the NPC suspects and basically larped it.

The designer of this module, J Andrew Keith, doesn’t actually know how to pull either of these two things off. Well, the first one is a bit easier. It just requires planning and collusion between one player and the GM. But the second idea is just tossed in at the very end of the book. All that Keith has got to offer us is: “One other possibility which there was no time to explore in detail here is to dispense with the standard player characters and use the suspects as player characters. Give players the information on Katarin Xuan, Eayukheal, and the others, and have them play those roles; of course, one of them will be the murderer…”

Like with many other art forms, one way to read the history of RPG design is the push and pull of experimentation and consolidation: there are periods of obvious and widespread experimentation and then consolidation as the most popular experiments become the norm. But then people get bored of the norm as it looses the novelty that made it popular in the first place and a new phase of widespread experimentation follows.

It’s never so simple, of course. You can have experimentation in one space and consolidation in the other. But it’s interesting to see the creative overreach of the first decade of RPGs – people imagining possibilities but not really having the tools to implement them. It’s the same spirit that draws me towards the current indie games era (and the Forge era, and so on). It’s excitement for the possibilities of play.

[diminuel]

Ace confessing he was thinking about using Edward hit me hard in the feels because yeah, that is on one hand funny and on the other angsty:

🔥: Nearly used your name, glad that I didn't now because that's embarrassing.

WB: no no, please feel free to use it, you're my son now, we can tell everyone Rocks was you being a rebelling teenager

🔥: 😦

But on the other hand I can see that revelation about Crocodile considering him at one point as a father/family bringing up guilt. When going with Rocks D. Crocodile, I headcanon that Whitebeard either assumed him dead and felt guilty about it, or that maybe Big Mom took him because she's big about family/that's a bloodline she would be interested in keeping. Either way, years later Crocodile hunts him down and confronts him about how he claims all these people as his children but abandoned him when he was a literal child that grew up with him, and they fight and Crocodile looses a hand due to that tho I think that would be either an accident or because of other circumstances surrounding the situation (I read a story once in which he lost his hand because he tied himself to something so he wouldn't drown but consequently killed the blood flow after leaving the Moby). Ace being on the Moby could maybe lead to him tentatively seeking out Croc again to see if they can finally reconcile or at least find some closure.

And yeah, Marineford is really weird when you get more information later on, like Sengoku is confirmed to have cared for Rosinante so it's weird that he should care that much about parentage with Ace. I think the WG basically forced the Marine's hand and ordered the public execution to eradicate the Roger bloodline and display their might while also hoping to get rid of WB. And they had to announce Ace's parentage because they needed a reason for this kind of spectacle, especially when we see who else just gets thrown into Impel Down, executions in the One Piece world seem kinda rare, either the criminals die before they're caught, they end up in Impel Down, or the WG just Buster Calls everything but executions by the Marines? Can't remember any besides Roger's and Ace's.

There's a lot of potential to give Crocodile a sad/ traumatic backstory when it gets to his loss to Whitebeard. I like pretty much everything! No idea what I'd go for (though in my Rocks D. Crocodile post I suggested that Crocodile reached out once for help but WB denied him - it would still fit in with Croc's potential rage that WB takes on everyone needing help, a home, a family. Everyone but him.)

And a Whitebeard and Crocodile reconciliation via Ace does sound very nice ;w;

Yeah, Marineford was a trap for WB and a display of their might but it seemed like a pretty foolish decision on the Marine's side because so many things could have gone wrong. And since it was broadcast - but only selectively (they conveniently cut out the parts of it that would show the marine's less than savory actions), they clearly wanted to tell a particular narrative. Still. Hmm. *squints at Sengoku*

[fryingpan1234567]

Percy can’t find his glasses lmao

~

“Shit, shit, shit!”

Oliver couldn’t help the laugh that made its way from his chest at the sight of Percy Weasley tearing through their shared dorm, tossing stuff around as if he’d forgotten his ‘no clothes on the floor’ rule that had been in place since their second year.

“Fuck, it’s not funny, Oliver!” Percy complained. 

Oliver dropped his quidditch playbook into his lap, temporarily forgotten. He grinned teasingly. “The perfect Percy Weasley swearing? Never thought I’d see the day.”

That wasn’t true. He knew the stress and many siblings would get Percy to snap eventually, and he knew adding onto that with the ‘Perfect Percy’ bit didn’t help at all. The not-so affectionate nickname from his younger brothers, namely the twins, was enough to get him twitchy in itself.

Percy chucked a pillow at Oliver with surprising strength. As the keeper, he did catch it to his chest, but he was still bewildered at the force behind it.

“I can’t find them,” Percy fretted as he returned to his wild search, neglecting to mention what exactly he was referring to. “I’m gonna be late to transfig and—“

“Okay, slow down.” Oliver set the pillow down next to him and shifted forwards, taking a glance around the room. “What are we looking for?”

Percy huffed, taking a pause. He glared at the nearest pile of clothes he’d just made as if it had conjured into existence on its own.

“I can’t find my glasses.”

Oh. The glasses that were on top of his head, innocently nestled in the ginger curls there, no clue about the turmoil they were causing? 

Oliver pursed his lips, fighting down his laughter. He forced himself not to look at them, instead turning his attention to the newly cluttered floor.

“Right,” he said slowly. A plan came into his head. “Want help looking?”

“No,” Percy snapped immediately, then continued digging through a laundry basket.

“What? Why not?” Oliver said innocently, nudging at him with a socked foot. Percy batted it away without even sparing him a glance.

“Because,” he grumbled, “you’re all smug about it. And if you end up being the one to find them, I’ll never hear the end of it.”

Well, that much was true. But that ship had sailed as soon as Oliver figured out exactly what he was looking for. So really, what’s the harm in a little more teasing?

“I wouldn’t make fun of you if one of your brothers had hidden them,” Oliver reasoned, standing from his bed and making his way over to where Percy was crouched over his book bag for the third time. “That’s not your fault. Or like, sometimes when you don’t sleep for a few days you get tired and misplace them—“

Percy stood abruptly, putting him nearly nose to nose with Oliver. His ears turned bright red, but he didn’t immediately make any move to back away. Oliver smiled sweetly.

“Hi, gorgeous.”

“Oh, fuck off.” That was the thing to get Percy to resume his frantic search, rolling his eyes and pushing at Oliver’s chest, but he couldn’t keep the smile off his face.

Oliver caught his waist, pulling him back in. Percy glared at him indignantly, lightly slapping his shoulder in an attempt to get him to let go.

“Oliver—“

“I found ‘em,” Oliver said simply, a sly smile spreading across his face. Realization dawned on Percy’s as Oliver reached up to take them off the crown of his head.

He dropped his face into Oliver shoulder in embarrassment. “Fuck me, of course that’s where they were.”

Oliver laughed, ruffling his hair. “Right now? I thought you were gonna be late to class—“

“Shut up,” Percy grumbled as he straightened up (lmao). He took the glasses from Oliver’s hand and fixed them to their designated place, face still slightly flushed. He made to leave, but Oliver stopped him with his arms around his waist again.

“You’re forgetting something,” he hummed, grinning with unbridled joy. There really was no way he’d let this go, and there was no reason to cut him some slack now.

Percy glared at him again. “I don’t think I am, actually.”

“No ‘thank you’?” Oliver pouted. “No ‘thanks, amazing heroic boyfriend, I’d be going to class blind if it weren’t for your ingenuity—‘“

“Please shut up,” Percy begged, and then kissed him. His hands found either side of Oliver’s face, and Oliver melted into him, pushing up onto his toes to get a better angle. His lips slotted perfectly against Percy’s, and he figured he’d never get tired of kissing him. It left him breathless every fucking time.

“Thank you,” Percy finally murmured into Oliver’s mouth. He didn’t open his eyes and he didn’t at all try to back away.

Oliver grinned again. “Sure, but you were right earlier.” Percy broke away to look at him in confusion. Oliver poked him in the side. “I’m never letting you forget this.”

“OLIVER WOOD—“

“Kill me later. McGonagall’s gonna kill you if you’re late again.”

Percy flipped him off over his shoulder as he left, slamming the door behind him. Oliver huffed a laugh and went back to his playbook.

[mythmerth]

fluff vs feel good merlin fics…?

It has come to my attention from my last post with the ask about a long fluffy merlin fic that I, perhaps, do not know how to separate the definition of fluff from my own definition of feel good fics. When I think of fluff I tend to think of lovey dovey feel good hehe type of fics. HOWEVER, my definition of feel good may be different than other people and thus may not actually BE fluff…. oops!

In order to make up for this I’m gonna list off more merlin fics that I consider to be on a “fluff — feel good” scale, but first I’ll give my own interpretation of “fluff” and “feel good” so you know what to expect!

— When I think of the definition of fluff, I think of things very lighthearted, low stakes, very lovey, being emotionally and PG physically intimate (soft), playful in a sweet way, and generally just not really having the highs and lows of angsty fics.

— When I categorize something as feel good it tends to be not very stressful, minimal angst, quickly resolved/humorous relationship issues, powerful characters, has a hopeful tone/no doubts about a happy ending, makes me laugh multiple times, and high in emotional and physical intimacy (and yes I am a Smut Enthusiast). Some feel goods have more or less of these than others for me but that’s what the scale in my head is weighing them on.

that being said, to the best of my ability here is the list ranked from fluff to feel good merlin fics! fluff fics are often a lot shorter than the plotty ones (but I tried to throw some longer ones in as well that I’d consider to have a good amount of fluff BUT these also tend to have more angst so you’ve been warned)

fluff

Twitch Your Whiskers and Pull My Tail by BlueSimplicity. Soft, sweet bonding, a bit silly

The Great Merlin Bake-off by Elizabeth. Long, low stakes, silly, so many pastries

Merlin Myrddin the Muralist by deanpendragon. So touching, very soft, strong and healing bonds

Nobody Expected Uther to Approve So Damn Hard by Nakyrah. Silly, soft, quick developing relationship

Tales of Magic by amithia. Soft, developing relationships, gentle magic/love

I know why the birds sing your name by ironfamjam. Long, hopeful, developing characters with gentle moments/love, some angst

We Can Always Run by kairennart and queerofthedagger. Long, some angst, strong bonds and soft moments, adventureful

Ironing Out the Kinks by Lex18. Long, so smutty, like 90% smut but also soft, quickly resolved issues

All Things Loved and Lovesick by horsecrazy. So funny, strong bonds, humorous miscommunication

We Are All Diamonds by Footloose. Long, strong bonds/love, soft moments, power duo, quickly resolved issues

The fools will still be fools by horsecrazy. So silly, smutty, low stakes

Evil Overlord Inc by Footloose. Long, very silly, power duo, high stakes but also not worried about it

feel good

I feel like with BBC Merlin fics it’s hard to find low stakes/no angst fics! maybe it’s just my lists, and also that I was trying to avoid making this all lower word count fics (there’s definitely some 40k’s I left out if anyone’s interested), but once the word count rises it’s tough to find. hopefully this agrees well enough, I scoured the fluff tag I swear but the angst sneaks up in there too

I also have noticed that I might not actually read a whole lot of pure fluff? I very specifically seek out mature and explicit merlin fics, which I think is partially the cause of that. Also merthur and fluff are hard earned; the rivals/strangers/enemies to lovers goes STRONG and so rarely do we get to fluff very quickly. There’s always some stressful situations these two are in I swear to god. also please note that I have read SO goddamn many fics that any rank inaccuracies are likely also due to my memory blurring on fic specifics,,, my apologies for this! so take the specific ranks with a grain of salt- I don’t remember the exact details of all of these, more so the impact they left on me as a whole!

anyways, I hope this is accurate enough and that you can find some fics here that are what you’re looking for <3

~ feel free to send asks if you’re looking for specific recs, I’ll do my best to find some that fit the bill :]

[aamy2100982]

VENOM WAR #5 Just some of my thoughts, big Spoiler Alert for those who haven't read it yet

I actually read it yesterday the 27th, but decided to post today because I needed to think a bit. Not my favorite Venom comic by far.

☆ So finally we have desidated piss-colored Venom, wohooo *low tone

I still think the design is mediocre. But at least I have a better answer as to why it's yellow. Also, I'm glad the first host to try it was Dylan. I was afraid they introduced the new host too quickly, because I've already felt like these last few comics are jumping from point to point like a machine gun.

☆ This whole panel is so sad

Dylan not wanting to hurt his father and Symby not wanting to hurt their lover.

It hurts my heart Symby admitting that they loves Eddie in all his forms even in Meridius one.

Even worse Meridius mocking xd

☆

Just say you hate yourself, dude. it's easier

☆ Can my man take a break? For ONCE?

He got shot, his son stab him, and now he stab himself. Who's left to stab Eddie? Flash? Sleeper? Toxin? Holy crap...

Not even Maridius saved! Anyway he's dead now, I was expecting something more dramatic, but whatever, man, okay I guess.

At least the panel looks cool. Dylan always taking his enemies by surprise, never turn your back on him.

☆ And Lee is there

I have to look up again what his deal was in all this, because I don't remember if he's alive or dead.

Now that the symbiotes are dying is he going to die too? Or is he finally going to do something interesting after all this time?

I've always felt that they wasted Lee's potential and could do something interesting with him. So I hope he doesn't just die... again...

☆ At least Flash is okay now. At this point I'm wondering if Anti Venom has a conscience or is just a permanent part of Flash. Also technically part of Eddie... gay.

I hate how cute Sleeper looks, it's not like you just witnessed the death of two gods, nah. Now you can go back to loaf like a lazy cat.

I find Toxin's face funny :|

☆ Goodbye old Dylan :(

you did well, i'm going to miss you

I don't think many people really liked him that much, and he was actually a bit of a confusing character at times, but I loved his design.

A little in disbelief that this is the end for him. I'd like to assume there's a little more.

☆ But good things don't last. I guess the symbiote is toxic for Dylan now? Is the symbiote toxic to all the other symbiotes now? If anything, the symbiote thinks it's going to die now and that's why it decided to leave?

I'm just going to put the biggest and louder

SIGH

I can... I knew they weren't going to stay together because Symby is getting a new host now, but damn. Does anyone else feel like the unions feel anti-climactic in this comic? I guess they were just in a bit of a rush to wrap things up.

Which is... understandable. They've been doing this crap for like 3 years now, it was time to let it die. But it makes me so sad that Dylan is alone again

The only good thing I can take away from it is that at least the comics are more self-aware that Symby is Dylan's father.

Which means Dylan is going to try to commit patricide again.

Understandable. My poor baby is 14 years old and has no one to turn to.

His brother I guess (Sleeper), I don't know if Flash could take him under his care, anyway Dylan is almost as stubborn as his father to simply get a tutor and go back to his normal life. Probably and technically, we know that now he is going to dedicate himself to hunting the All New Venom

☆ The fact that the symbiote is now toxic to other symbiotes is just an excuse for it to not rejoin Dylan? Because that sounds like bullshit.

And yes, I GET THE POINT. If Dylan joins the symbiote it creates this apocalyptic future that Old!Dylan is trying to prevent... I know, but it still seems unfair to me.

☆ Funny how all this was happening next to a church. Let's not lose good customs

I wasn't understanding what Carnage meant by "Partner".

I think is referring to Meridius or Cletus. So now they're both single, lonely, and hurt.

(My bad! He doesn't say partner, he says parent! Silly me, sorry xd)

Does this mean Eddie thinks the symbiote is dead?

Nice Father-Son reunion, I'm honestly excited to see what nonsense they're going to do!!

[booksandpastries]

‼️SPOILER FOR THE SYNDICATOR‼️

This is just a rant because I’m so disappointed but here goes:

Just finished the last book of the series and I’m so disappointed actually. It feels like the author who wrote the first 5 books, especially Morana’s and Tristan’s is completely different from the one who wrote ‘The Syndicator’. I feel like it had unnecessary POVs, the whole syndicate started with Tristan, Morana, Dainn and Lyla, the four POVs would have been enough, with glimpses into the other characters (because their POVs were literally used to fill up the pages). I loved this series and I’m sad I read the last book, not because it’s over but because THIS is going to be my last memory of the world I’ve come to really enjoy.

People are annoyed over more of Lyla and Dainn chapters but I’m annoyed that everyone got more book time than Tristan and Morana (who literally started this off btw). Dainn did all the work with help from Morana and everyone was just existing on the side. Tristan was so out of character as well, I liked he was a bit less guarded after finding his sister, essentially implying his decade long search is over but that kind of wall doesn’t go up immediately, especially when the threat of the syndicate still loomed over them. He just went into the background. He also never noticed Morana’s pain when everyone noticed it, and we know how obsessed and in tune he’s been with her since they were fucking KIDS. How is this the same man who threatened her dad for calling her a whore?? And it’s funny because in the little time we see him in the books, he talks about how he’s so attuned to Morana’s body language but can’t notice her using her right side more or the pain? The lack of (there’s none btw) ‘I love you’ to Morana drove me crazy, especially when we see him say those words to Lyla, so you know he CAN say it, and we KNOW he’s himself the most around Morana. Everyone getting pregnant (Zephyr) was not my favorite bit either. Her dad being a part of the syndicate was so random and not explored, the fifth leader, the master and him being Dainn’s dad was also not explored and he suddenly died at the end too without a nice showdown was soo disappointing especially because throughout his POVs (yes, even he got more book time than Tristan motherfucking Caine) he’s talking about finally having a challenge and then boom, he’s dead. Boom, the book ends.

I have so many more thoughts but I’m just mainly pissed that Runyx did my favorite couple the DIRTIEST.

Just finished reading the darkverse series by Runyx (super late I KNOW!) (right on time for the syndicator, I KNOW!) and I just want to come out and say that I loveeeeee the series. There’s not a single character I hate, and there’s not a couple that’s boring, and can we talk about the female characters?? They’re all soo strong and their communication skills?? Oh my god.

I can sit and rant about how wonderful the series is but there won’t be enough time in the world for it. May only disappointment with the series is that it’s not longer and it’s about to end 💔

[pewterkat-lwd]

*going to the Giving Tree*

And who do you think you are

running round leaving scars

[helios-two]

cindy + studcoms compilation

[transmasccofee]

constantly tiptoeing the line between “Saiki k is a gag manga and a lot the gag is that it explores and exaggerates typical anime tropes” and “its still very earnest and there are clearly parts that are meant to be taken seriously”

like you can almost always tell bc Asou is a very talented writer and can convey tone in his story really well, but sometimes the stuff he throws in as a joke makes u go O_O

[rexscanonwife]

I decided to start rewatching the fairly oddparents and something that I'm surprised to see (aside from it still being pretty funny 😂😂) is that I remembered Wanda being more of the straight-man to Cosmo and Timmy, probably because of the flanderization and season rot, but she actually MATCHES their energy?? Most of the time she's participating in or actively encouraging their wacky behavior and I think that's beautiful! We need to go back to that

[pickypickypeak]

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[cheekblush]

really starting to believe that psychic who claimed i’m cursed